Saturday, November 18, 2017

Jennifer Robson

Jennifer Robson's latest novel is Goodnight from London.

From her Q&A with Deborah Kalb:

Q: While your other novels focused on World War I and its aftermath, your new novel focuses on World War II. Why did you decide to move on to a different time period?

A: I think it was largely a feeling of wanting to keep things fresh – it’s easy to find yourself revisiting similar themes or conflicts if you stay focused on one period for too long. And the Second World War is nothing short of a gold mine for any novelist who is looking for inspiring and memorable stories to tell.

Q: Your main character, Ruby, is an American journalist working in London, and your own grandmother was a journalist during this same time frame. What do Ruby's experiences say about the role of women journalists in the WWII era?

A: The barriers that Ruby faces, along with the prejudices against women in her profession, are pretty typical of the era; to quote my own grandmother, newspaperwomen (her preferred term) needed to...[read on]
Visit Jennifer Robson's website.

Coffee with a Canine: Jennifer Robson & Ellie.

My Book, The Movie: After the War Is Over.

The Page 69 Test: After the War Is Over.

Writers Read: Jennifer Robson (February 2016).

My Book, The Movie: Moonlight Over Paris.

--Marshal Zeringue

Friday, November 17, 2017

Andrea J. Ritchie

Andrea Ritchie is a Black lesbian immigrant and police misconduct attorney and organizer who has engaged in extensive research, writing, and advocacy around criminalization of women and lesbian, gay, bisexual and transgender (LGBT) people of color over the past two decades. She recently published Invisible No More: Police Violence Against Black Women and Women of Color.

From her Q&A with Adeshina Emmanuel for the Columbia Journalism Review:

How does the media help shape the public’s understanding of police violence?

I think media plays a pivotal role in two respects: by reinforcing the silence around experiences of black women and women of color and in breaking it. The mainstream media has reinforced over and over again that police violence is a story about black and brown men who are not queer, who are not trans, and that certainly is an essential part of the story.

I would never dream of saying black and brown men are not disproportionately targeted by state violence. There’s just no question about that, and you will see me in the streets on any given day at protests for Laquan McDonald, or Amadou Diallo back in the day, or Rodney King.

Sandra Bland was definitely heavily on my mind this month on the second anniversary of her death. But somehow her story is not placed in the broader narrative around racial profiling and mass incarceration; it’s somehow almost an anomaly. Like, “let’s read a list of 10 or 12 black and brown men and then we’ll throw in Sandra Bland,” as if it’s an outlier.

Recently video surfaced of a Florida state attorney being profiled and stopped by a police officer, and, again, that wasn’t an anomaly. That was...[read on]
--Marshal Zeringue

Thursday, November 16, 2017

Shelley Tougas

Shelley Tougas's new novel for kids is Laura Ingalls Is Ruining My Life. From her Q&A with Deborah Kalb:

Q: How did you come up with the idea for Laura Ingalls Is Ruining My Life, and for your main character, Charlotte?

A: I lived in Mankato, Minnesota, for 20 years, so Laura country was in my backyard. I'd been to Walnut Grove (the setting for On the Banks of Plum Creek), and the kernel of an idea formed.

It's a small town - about 800 people - and it's very Laura-centric. There's not just a single museum. It's a complex. There's a reconstructed sod house, an old school house, an old church and more. Plus there's the dugout site near the town. And every summer, the community puts on a pageant with a musical production about the town's history and the Ingalls family.

I wondered, what's it like to grow up in a town like that? A small town with such an interesting identity? When I got my second contract with Roaring Brook, I knew I wanted to use that kernel for my novel.

I didn't want to write historical fiction, though. I wanted to write a contemporary novel that had parallels to Laura's story and include lots of Easter eggs for Laura fans.

The first sentence in the book, for example, is exactly...[read on]
--Marshal Zeringue

Wednesday, November 15, 2017

Kathleen Rooney

Kathleen Rooney is a founding editor of Rose Metal Press, a publisher of literary work in hybrid genres, and a founding member of Poems While You Wait, a team of poets and their typewriters who compose commissioned poetry on demand. She teaches English and Creative Writing at DePaul University and is the author of eight books of poetry, nonfiction, and fiction, including the novel O, Democracy! (Fifth Star Press, 2014) and the novel in poems Robinson Alone (Gold Wake Press, 2012). With Eric Plattner, she is the co-editor of René Magritte: Selected Writings (University of Minnesota Press, 2016 and Alma Books, 2016). A winner of a Ruth Lilly Fellowship from Poetry magazine, her reviews and criticism have appeared in the New York Times Book Review, The Chicago Tribune, The New York Times Magazine, The Rumpus, The Nation, the Poetry Foundation website and elsewhere. She lives in Chicago with her spouse, the writer Martin Seay.

Rooney's latest book, her second novel, is Lillian Boxfish Takes a Walk.

From Rooney's Q&A with Jac Jemc at Newcity Lit:

The character of Lillian Boxfish is inspired by a real poet and ad woman. How do Boxfish and Fishback diverge?

Without Margaret Fishback there wouldn’t be a Lillian Boxfish, but they’re not the same person. Lillian has aspects of Fishback’s biography, but the events of the novel are invented and imagined. I was the first researcher in the Fishback archive at Duke University in 2007—it took me years to figure out what to do with that material. My own love of flânerie ended up being the key. Lillian’s orientation toward the world is that of an inveterate urban walker, a decision made totally for the novel. I believe that Fishback herself is worthy of greater attention—I worked this December to get her long out-of-print light verse included in the Poetry Foundation archive and wrote an essay detailing her innovations as a pioneering ad woman—but...[read on]
Visit Kathleen Rooney's website.

The Page 99 Test: Live Nude Girl.

The Page 99 Test: For You, for You I Am Trilling These Songs.

My Book, The Movie: For You, for You I Am Trilling These Songs.

My Book, The Movie: Lillian Boxfish Takes a Walk.

Writers Read: Kathleen Rooney.

--Marshal Zeringue

Tuesday, November 14, 2017

Noah Strycker

Noah Strycker is the author of Birding Without Borders: An Obsession, a Quest, and the Biggest Year in the World.

From his Q&A with Deborah Kalb:

Q: Of the 6,000-plus bird species you saw during your record-breaking year, were there any that particularly impressed you?

A: In Brazil, near the beginning of the year, I saw a Harpy Eagle, the most powerful raptor in the western hemisphere. The Harpy lives only in large rainforests in South and Central America, and eats monkeys and sloths.

I was lucky to stake out a nest near the Pantanal in central Brazil, where the male Harpy Eagle flew in carrying half a coati (a raccoon-like animal) in its talons, which are as long as a grizzly bear's claws. When it spreads out its toes, this eagle's feet are the same circumference as a dinner plate. That bird is...[read on]
--Marshal Zeringue

Monday, November 13, 2017

David Miliband

David Miliband is president and CEO of the International Rescue Committee. His new book is Rescue: Refugees and the Political Crisis of Our Time..

From the transcript of Miliband's Q&A with NPR's Scott Simon:

SIMON: You know, whatever impression we might have from the news, are most of the world's refugees coming to America or Western Europe or some of the poorest and, if I might put it this way, most unstable parts of the globe?

MILIBAND: Well, that is a great point - that the top 10 refugee hosting countries, places like Lebanon, Jordan, Kenya, Ethiopia, Uganda, Bangladesh now with the Rohingya refugees who've come from Burma - Myanmar. The top 10 refugee hosting countries account for only 2 and a half percent of global income. And so the challenge for the richer parts of the world I think is twofold. First of all, to engineer, to lead an international humanitarian aid system that really does meet the challenge of the times that gets refugees into employment, that gets kids - half of the world's refugees are kids - gets them into education. And, tragically, at the moment, less than 2 percent of the world's humanitarian budget goes on education.

But the second half of the challenge is to stand with those countries who are hosting refugees, stand with them substantively but also symbolically by welcoming refugees to our own shores. And it is tragic that after 50 or 60 years in which the United States has led the world in refugee resettlement, hosting an average of about 90,000 refugees a year into this country - people who've then gone on to make extraordinary contributions to this country - that the U.S. administration should now be...[read on]
--Marshal Zeringue

Sunday, November 12, 2017

Nigel Cliff

Nigel Cliff's latest book is Moscow Nights: The Van Cliburn Story--How One Man and his Piano Transformed the Cold War. From his Q&A with Deborah Kalb:

Q: Why did you decide to write about Van Cliburn and the 1958 piano competition in Moscow?

A: I couldn’t resist it; the story grabbed hold of me from the moment I came across it. For one thing, it’s so deliciously improbable. A young Texan pianist on his first overseas trip conquers Cold War Moscow, returns home to rock-star fame, and becomes an unofficial ambassador between hostile superpowers.

I wanted to write about the Cold War, and here was a way to put a human face on a rather ponderous subject. Van Cliburn is a touching and unusual character who saw no difficulty in being friends with Soviet and American leaders and was a hero to people on both sides of the divide; crucially, that gave me an entrée into everyday lives as well as intimate glimpses of the political elites.

A good story needs to put its hero in danger, and its writer, too. Finding the language to describe a piano concerto to non-specialists, like myself, was my biggest challenge.

Yet the deeper I went, the more I found myself on...[read on]
Learn more about the book and author at Nigel Cliff's website.

The Page 99 Test: Holy War.

--Marshal Zeringue

Saturday, November 11, 2017

Bill Crider

Bill Crider is the winner of two Anthony Awards and an Edgar Award finalist. An English college professor for many years, he’s published more than seventy-five crime, Western, and horror novels, as well as a number of children’s books.

From Crider's Q&A at Western Musings:

Mr. Crider, sincere thanks for taking the time to provide us with some thoughts on the Western genre. With that said, I want to get down to brass tacks and offer what I consider one of my favorite first sentences of the past year. You open Outrage at Blanco with this gem: “Jink Howard sat in the shade of a tree and ate tomatoes while Ben Atticks raped the woman in the wagon bed.” That is pure attention-grabbing gold. I heard a fine piece of writing advice years ago “Let your readers know what’s at stake, right up front.” This sentence does that in spades. Is this a philosophy you adhere to as well?

I always heard a different version of that advice, which was "Shoot the sheriff in the first paragraph."  I do try to have something there that will get a reader's attention, but I'd never shoot the sheriff.  Sheriff Dan Rhodes has been way too good to me for me to do a thing like that.​

Staying with your novel Outrage at Blanco, but also staying spoiler-free so that new readers can have the joys of following up on that whip-cracking sentence; the character Ellie Taine goes through a bit of transformation in the course of this novel. It calls to my mind the film Hannie Caulder [which was minor at best, aside from an excellent Robert Culp.] In Hannie Caudler the transformation is a bit superficial and rote, but Ellie has real depth to her. Her actions make sense to me. May I ask what spawned this character?

​As is so often the case with my writing, I have no idea what spawned the characters or the plot. I...[read on]
Visit Bill Crider's website and blog.

--Marshal Zeringue

Friday, November 10, 2017

Catriona McPherson

Catriona McPherson's newest suspense novel is House. Tree. Person. From her Q&A with Deborah Kalb:

Q: How did you come up with the idea for your new novel, House. Tree. Person., and your character Ali?

A: I can half-answer this. I went to the Writers Police Academy in Wisconsin in 2015 and, in a workshop on sociopaths (presented by the wonderful Dr. Katherine Ramsland), the subject came up of the "house-tree-person test" for personality disorder. It's diagnostically discredited and not much used in clinical settings these days, although I believe it's still applied to children in Waldorf education.

Anyway, as I sat there, the idea came to me of a silent individual who only ever drew a tiny square with a cross through it, a symbol none of her carers could interpret. And a big chunk of the plot of this book just slotted into my head.  It was wonderful.

As to Ali: Much more typically, I started with a little pip of an impression - I think it was her Juicy velour sweatsuit - and just wrote and wrote until she came into focus. By the end of the first draft, she seemed like herself. Then I went back to the start and changed everything in...[read on]
Visit Catriona McPherson's website.

Writers Read: Catriona McPherson (September 2015).

--Marshal Zeringue

Thursday, November 9, 2017

Marcia Butler

Marcia Butler was a professional oboist for 25 years, until her retirement from music in 2008. During her musical career, she performed as a principal oboist and soloist on the most renowned New York and international stages, and with many high-profile musicians and orchestras. She lives in New York City.

Butler's memoir is The Skin Above My Knee.

From her Q&A with Ileana Florian for Pank Magazine:

Florian: How did you start thinking about writing a memoir?

Butler: Well, that’s an interesting question because I didn’t set out to write a memoir at all. I was writing about creativity, actually. I’d been a musician for about 25 years, and then was an interior designer for 15 years. As a designer, I began blogging and quickly realized that the more fertile subjects for me were the overarching principles of the universality of design, aesthetics and creative thrust. How all this binds us together as a society and how we...[read on]
Visit Marcia Butler's website.

The Page 99 Test: The Skin Above My Knee.

My Book, The Movie: The Skin Above My Knee.

--Marshal Zeringue