From his Q & A with Matt Beynon Rees:
How much of what you do is: a) formula dictated by the genre within which you write?Visit Matt Beynon Rees' website and blog.
I am told there are quite a few rules. But I never bothered to learn what they are. The private eye novel is mainly thought of as the creation of American authors; notably Raymond Chandler and Dashiell Hammett. It is an American invention based on crime in American cities and the social and class structure within which the private eye, police, victims and villains live and die. If there is an American location formula, I broke it in 1992 by setting Spirit House, the first of the Vincent Calvino novels set in a foreign location.
b) formula you developed yourself and stuck with?
To bring the reader into a different culture, different rules, expectations, language, and make it meaningful without overwhelming him/her with obscure references or incidents. The goal is to make Asia accessible without losing the vitality and history of the place.
c) as close to complete originality as it’s possible to get each time?
I am... [read on]
--Marshal Zeringue