Interviewer: Bird in Hand is about “Four people, two marriages, one lifelong friendship. Everything is about to change.” Where did you get the idea to explore these themes in your latest novel?The Page 69 Test: Bird in Hand.
Christina: Bird in Hand opens with a car accident that sets in motion a series of events that changes the (interconnected) lives of four people. It moves forward in the present daythrough the alternating perspectives of these four characters, and it also moves back in time through their perspectives to a specific moment in the past.
The story of Bird in Hand emerged slowly, from a number of sources, but it first began as a “What if?” question.
Just over ten years ago I moved from New York City to Montclair, New Jersey with my husband and two young boys. After many years of relying on subway trains and taxis, suddenly I was driving on unfamiliar (and confusing) highways, with not only my own precious human cargo in the backseat but other mothers’ as well. Late at night, I’d terrify myself with “What If” questions, such as: what if something happens to one of these children, my own or someone else’s? What if somehow I’m responsible? As I turned these kinds of questions over in my mind, I realized – with the writer part of my brain – that it would be a lot more useful and less neurotic to use them as material than to keep pointlessly obsessing.
At the same time, my husband, David, and I were, like many of our friends, adjusting to many life changes: a new house, a new lifestyle, two small children, loss of autonomy for both of us, some loss of identity for me, a stressful job for him, a commute into the city. We weathered these storms, but I wanted to write about the complexities many couples deal with at this stage of their lives, whether or not they come through intact.
In the novel, you have four characters, whose lives are intertwined. Alison and Claire, who are best friends even though Claire is having an affair with Alison’s husband, Charlie. You also write about Ben, Claire’s husband, who desires children and admires Charlie and Alison’s marriage. Was it difficult to write about four characters and keep them all straight? Do you favor any characters over the others?
It was actually exhilarating to move from one character to another in this novel. I loved all of them equally. Flaubert famously said, of the vain, shallow, adulterous heroine of his most famous novel, “Madame Bovary, c’est moi” – and that’s exactly how I felt with these characters. I found that I sided with...[read on]
Learn more about Christina Baker Kline's work at her website and her blog, A Writing Life: Conversations about the Creative Process.
Read--Coffee with a Canine: Christina Baker Kline & Lucy.
--Marshal Zeringue