Q: You've lived all your life in East Tennessee's Smoky Mountains, a part of the country you depict so vividly, from the landscape to the voices of the people who live there, in Bloodroot.Visit Amy Greene's website.How did you imbue a familiar place with such detail and even magic? What was it like to put the language you'd heard all your life into words on the page, as dialogue?
A: There is, I think, an intimacy with the landscape that comes with living here. Most of my childhood was spent outdoors, a part of my experience that emerges naturally in my writing. Bringing the language I've heard all my life to the page also came easily. It was instinctive to appropriate the voices of my family, friends and neighbors for the characters I was exploring in Bloodroot. The challenge was actually in dialing back the language once I had poured it onto the page, making it accessible to people who aren't familiar with these expressions and colloquialisms.
Q: Six different characters—men and women, old and young—narrate Bloodroot. Which characters or voices came to you first? Who was the most difficult to write, and who was the easiest? Did you have any particular people in your own life in mind when you came up with these characters originally? How did you invent the totally unique Ford Hendrix?
A: I envisioned...[read on]
--Marshal Zeringue