From Harvey's Q& A with Julia Buckley:
Your new book, FAR CRY, has a horrific premise: a woman suffers the abduction of not one, but two daughters, years apart. Did you envision that the book would become a deep examination of the psychology of that loss?--Marshal Zeringue
I don't see what else it could be. Unless you leave the woman permanently in the background as a character and concentrate solely on the investigations.
The ideas behind FAR CRY came out of a conversation with the writer Jill Dawson, who lives in the Fenland where much of my book is set, and whose home is close to a village where an abduction and murder of two schoolgirls had happened several yearsbefore. Affected by this, as a mother of two young children as well as a writer, Jill had written a novel, WATCH ME DISAPPEAR, based around her responses to these murders. When Jill and I met and had our conversation, the disappearance of a British child on holiday was very much in the news; her parents believed their daughter had been abducted but was still alive and made the decision to use the media as a way of securing her release - something which backfired on them and made them suspects in the eyes of many people.
Jill and I talked about the ways in which parents might react in such situations, the emotional havoc it wreaks on their own relationships and the degrees to which they might become obsessed not solely with their own loss, but with the wider area of child abuse and abusers. We talked about the possibility of writing a book which explored those issues and I came away convinced that was what I wanted to try and do.
Before starting to write, I talked through my initial ideas with a friend who is a very experienced psychotherapist, just to check that the lines on which I was planning base my story were credible.
It was always my intention to place the mother at the heart of the book and, in retrospect, I regret that she isn't as central - doesn't have as much space - as I'd intended. The scenes with her and her missing daughter were always going to be the big challenge for me as a writer - carrying them off convincingly. The are the most important scenes in the book for me, the ones that I can get excited about having written,though, of course, they're very short - a tiny part of the book as a whole if you're counting pages.
An epigraph from Macbeth appears before chapter one—the words of MacDuff when he hears that his family has been slaughtered. Did MacDuff’s character inspire you to write this story, or did you make the connection between your character and Shakespeare’s after the writing?
In...[read on]
