Her new story collection is Birds of a Lesser Paradise.
From the author's Q & A with Anna-Claire Stinebring at Full Stop:
You’re originally from North Carolina, though you now live in Vermont. Would you consider yourself a Southern writer?--Marshal Zeringue
I spent 30 years in the South, and three in Vermont. I feel like a Southern writer, and yet I already feel ties to New England. What I value most, I’ve realized, is not geography, but proximity to the natural world. I am a girl from the sticks if nothing else. I guess what I can understand, and perhaps feel most at home in, is a small town. (Cue Mellencamp.)
Sometimes I feel like the contemporary Southern writing that gets the most attention capitalizes on being grotesque: decay and trailer parks. Do you find there are tropes that come with writing about a certain place that you have to combat?
I go back and forth on this, and I think the success of writing Southern narratives and Southern characters rests on the skill of the author. I certainly wrote some early stories that stirred up tired ideas, stories I’d like to forget about old people and biscuits and church.
The thing I find most difficult to read in bad “Southern” writing is phonetic dialect; nothing reveals a tin ear like bad Southern. If an author has given us good characters, a palpable setting, and strong word choices, we get it — authors can...[read on]