From Gisberg's Q & A with Caroline Leavitt:
The tension in What the Heart Remembers is deliciously relentless, so I want to know, how’d you do this alchemy? Do you plan ahead or hope for the best?Visit Debra Ginsberg's website.
I do a little planning ahead and a lot of hoping for the best. I always have a starting point for my novels and always know where I want to end up, but almost never know how I’m going to get there until I’m in the thick of it. In other words, I know that somebody dunnit at thebeginning of the book, just not who or how. My editors have found this “interesting,” to use their euphemism, but writing outlines has never been my strong suit. Characters, scenes, and even plot (to some extent) have a way of changing as I write and part of the fun for me is discovering the details I’m not aware of until I’ve lived with the characters and their world for a while. I’m also somewhat impatient, which sometimes helps in maintaining the tension in a scene. I’ll be writing away and suddenly think, we’ve been in this room an awfully long time—must get out of this chapter now!
I’m fascinated with the whole idea of cellular memory, especially in transplant patients, and especially as shown in What the Heart Remembers. I also loved , in your novel, The Grift, the whole idea of a psychic who wakes up to find something else might be going on. I sort of believe that quantum physics will reveal to us just how weird the world really is and that there might be science behind so-called psychic phenomena, but I’m intensely curiously about what you think.
I honestly believe that there is an explanation for everything, but I also believe that some explanations are...[read on]
The Page 69 Test: Blind Submission.
The Page 69 Test: The Grift.
The Page 69 Test: The Neighbors Are Watching.
Writers Read: Debra Ginsberg.
--Marshal Zeringue