From her Q & A with Molly Driscoll for The Christian Science Monitor:
Q: Your first book, "This One Is Mine," was set in Los Angeles, while "Bernadette" is set in Seattle. Is there anything particular about the places you have lived that draws you to use them as settings?Read the CftAR interview with Maria Semple.
I think because I try to keep things as real as I can, or I try to start from a place of reality, I almost don't have the imagination to write a book that's not set where I am. It's smarter for me to set the books where I am physically because I'llhave a lot of interesting observations. There'll be a lot of details from life that'll pop up for me.
I never really intended either book, at all, to be so place-oriented. I didn't sit down and think, "Okay, I'm writing an LA novel" or "Oh, I'm writing a Seattle novel." It's really surprised me that this is a "Seattle novel." When I turned it in [if] someone had said to me, "Does Seattle play a big part in your book?" I'd have said, "Not really." I really didn't see it that way, but obviously, this is how it's being read and perceived, which is fine with me. I'm happy about it and I certainly understand, but I'm mainly trying to get the characters right and get the details right, give my characters and my story and my novel authority, write with a real sense of authority. I think that's the most important job of a novelist, to bring authority to their writing.
I don't know if it's a failure of imagination on my part, but I'm not going to be writing about Paris in the 1800s. I feel like it would come off as just ludicrously uninformed, even if I did a lot of research. Everything that I write, it's really close to home, mainly because I'm afraid of not having authority.
As I was starting to write it, when I knew I was onto something really cool with the book was when I started writing about the...[read on]
The Page 69 Test: This One Is Mine.
--Marshal Zeringue