From her Q & A with Michelle Y. Burke at HTMLGiant:
Burke: One of the things I admire most about your writing is how it sounds. Your sentences are so rich and lyrical. To what extent are you thinking about sound when you’re writing?Visit Christine Schutt's website.
Schutt: I do think about sound. What I want to do is wed sound to scene. What comes first is a picture. I’m thinking of the way my new book, Prosperous Friends, begins. I had this idea that there would be a couple in their mid-thirties outside of London, maybe in the Fens, near a priory or a church. I was remembering my own experience at that age, being in those sorts of churches, and the stones, and the moss on the stones, and the coldness of it. I thought about that a lot, and I thought about what the couple was doing. They’re alone. He wants to surprise her and be sexually risky. I wanted to get a sound that would call up or be right for those stones and that place.
Burke: Is that how you start a new novel or story—an image catches your attention and you find the sound from there?
Schutt: Sometimes there’s an image, yes, and the language comes so fast on it. I look at something for a long time and roll over words right to the occasion.
Burke: Is that also true when you’re creating a character? Does the character come from an imagined scene or image?
Schutt: When I was creating one of the characters in Prosperous Friends, I looked at a postcard picture of...[read on]
The Page 69 Test: Prosperous Friends.
--Marshal Zeringue