From his Q & A with Noah Charney for The Daily Beast:
You’ve long been considered the leading writer of Westerns, or rather stories set in the old West or in contemporary Texas. But you also write excellent criticism, essays, and screenplays. Are you comfortable with your association as a writer of Westerns?Learn about Larry McMurtry's five best travel books.
Not entirely, no. In the first place, you have to define “Western.” What is a Western? Is it anything set in the West, contemporary or otherwise?
It’s hard for many of us to imagine having written as iconic a novel as Lonesome Dove, winner of the 1985 Pulitzer Prize. How has the legacy of that book affected your career and what you have chosen to write since?
I don’t think about Lonesome Dove very much or very often. It only affected what I chose to write afterwards in terms of the other three books in the Lonesome Dove tetralogy. I would have written the rest of my books, whether or not I’d written Lonesome Dove. I’ve never re-read Lonesome Dove, or given it any real thought.
Many of your books, from Lonesome Dove to Horseman, Pass By, have been adapted for the screen. [Horseman, Pass By was adapted as Hud.] What are your thoughts on the screen versions of your work?
I’ve been very lucky to have mostly fine movies made from my work—most, if not all. I wasn’t crazy about Hud, because...[read on]
--Marshal Zeringue