From Searles's Q & A with Caroline Leavitt about his 2013 novel, Help for the Haunted:
I always want to talk about craft, so tell me how this novel sparked. Did you have it all mapped out, or do you follow your muse (mine always seems missing in action). At what point did you know how the book was going to end, and what pieces of the story to withhold for maximum drama?--Marshal Zeringue
Originally, I was writing a novel about a girl in her twenties who goes away to an island to take care of a reclusive mystery writer. There was so much about that novel I loved, but it just never came together. Thankfully, my literary agent had the good sense to intervene. One day, she showed up at my house with the whopping 500 pages I’d written and broke it to me that it was not working. We spent the entire day and well into the night discussing what the problems were and what, if anything, could be salvaged. In the end, the only thing I kept was the main character’s name: Sylvie Mason. I had this idea about her being orphaned and left in the care of her troubled older sister. So I started writing that story and stuck with it. I’m lucky it worked out on the second go-round!
The novel is also many things at once--a terrifying thriller, a creepy scarefest, and an astute psychological drama about the coming of age of one remarkable narrator. How did you manage such alchemy?
Thank you for saying that. This story was way more challenging than anything I’ve ever done creatively. I guess that’s because I was trying lots of things: telling the story from the perspective of a young girl, combining a murder mystery with a ghost story with a coming of age tale and a family drama. Believe me, there were times when I’d just lay on the floor and stare at the ceiling trying to figure out how to piece everything together. When that didn’t work I’d do...[read on]