From the author's Q & A with Peggy Mann for The Amazon Book Review:
PM: Knowing the experience you had with letting the world ‘in’ with the publication of the family pictures, was there any hesitation in writing this book? How is this different? Same?--Marshal Zeringue
Sally Mann: I once said to a photographer named Judith Joy Ross that I wanted my then nascent family work to be “open.” She replied dourly: “Sometimes, Sally, when people see openness, they see a way in.” I never forgot that and, of course, it proved to be true. I think there are some differences here, though: the family pictures were subject to so many interpretations, and every person who looked at them had not just an opinion but also a connection to the work that was unique to them and felt very personal. Hold Still is less interpretively labile—it is more of a statement and less of a question. Besides, I am such a recluse that I don’t think people will see that “way in” with this book, other than, I hope, one to their own psyche.
PM: You speak to the scrutiny and ridicule you received as a result of the family pictures - people judging the artist rather than the art - why do you think that is? Do you think this is something that has become more so over the last decade? And do you think that as a result there are many artists choosing not to bring their art to public eyes?
Sally Mann: I don’t see many artists who are not trying to bring their work to the public---to the contrary I see artists nearly desperate to get attention for their art and, failing that, often for themselves. They should be...[read on]