From her Q & A with Caroline Leavitt:
I always ask writers what the “spark” moment was for his or her book. What was haunting you that led to this story?Learn more about the book and author at Meg Waite Clayton's website and blog.
The idea for The Race for Paris actually came to me while I was doing research for my first novel, The Language of Light. I read photojournalist Margaret Bourke-White’s autobiography, Portrait Of Myself. Something she said in that—about motherhood, I think I can say that much without spoiling the plot—really moved me. I had to read the autobiography in the stacks of the Vanderbilt library because it was out of print and couldn’t be checked out, so you can picture me sitting in the stacks, weeping.
The story really began to take shape when I read about how Martha Gellhorn got to cover the Normandy invasion. Only male journalists were allowed to go. (The excuse: “no women’s latrines there, and we aren’t about to start digging them now”—never mind that the press camps were generally set up in lovely big French chateaus with running water and sometimes whiskey literally on tap.) Martha stowed away in the loo of a hospital ship and went ashore with a stretcher crew, one of the very few correspondents to cover the invasion from French soil. nAnd her reward for her bravery? She was taken into custody on returning to England, and stripped of her military accreditation, her travel papers, and her ration entitlements. She was confined to a nurses’ training camp until she could be shipped back to the U.S.
So here’s what she did: She...[read on]
Meg Waite Clayton is the nationally bestselling author of The Four Ms. Bradwells, The Wednesday Sisters, and The Language of Light—all national book club picks.
The Page 69 Test: The Four Ms. Bradwells.
The Page 69 Test: The Wednesday Daughters.
--Marshal Zeringue