Mohsin Hamid is the author of the novels Moth Smoke, The Reluctant Fundamentalist, and How to Get Filthy Rich in Rising Asia. His fiction has been translated into over 30 languages, shortlisted for the Man Booker Prize, featured on bestseller lists, and adapted for the cinema. His short stories have appeared in The New Yorker, Granta, and the Paris Review, and his essays in the Guardian, the New York Times, and the New York Review of Books. Born in 1971, he has lived about half his life, on and off, in Lahore. He also spent part of his early childhood in California, attended Princeton and Harvard, and worked for a decade as a management consultant in New York and London, mostly part-time.From Hamid's Q&A with Rumnique Nannar for Nineteen Questions:
How did you start or decide to become a writer?Visit Mohsin Hamid's website and Facebook page.
As a little kid, I was a big reader. I probably started with comic books and children’s stories, and then kept reading throughout my childhood and teens. I’m also quite a fantasist, so I would imagine countries and I loved atlases. I used to imagine little countries where no countries existed, and I was into Dungeons and Dragons as a kid (laughs). All of these things, in a way, were a real absorption into storytelling. When I went to university in the States, Princeton had a wonderful creative writing program with Joyce Carol Oates and Toni Morrison. I remember applying for one of the first creative writing workshops and getting in, and starting to write stories for them. Very quickly I realized that this was what I loved to do. So it was in university for the first time that I thought, I would like to be a professional writer.
You’ve talked about Haruki Murakami’s quote, “Writing a long novel is like survival training. Physical strength is as necessary as artistic sensitivity.” How important was walking during your process?
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--Marshal Zeringue