From her Q&A with Kevin Catalano at The Coil:
The last time we talked about A Tree Born Crooked, you told me about the need for more badass women in writing. You certainly delivered that here. I noticed that almost without exception, the women in your book force the men’s hands in one way or another: Sister Tulah intimidates the baddest of dudes by her sheer presence and will (and never with a gun); Shelia uses information to manipulate men and, in a way, orchestrate the final climax; and Ramey’s strength, courage, and independence are necessary for Judah to succeed, and survive. (I especially love when Judah tells her, “You’ve always been mine.” and she responds, “No. I’ve been my own.”) How deliberate were these choices?Visit Steph Post's website.
This is one of the moments when I get so excited for people to read the sequel, because as the story develops, these three women really come into their own in powerful, unexpected ways. I don’t have an agenda in the writing of badass female characters; I just write the sorts of characters that I would want to read about and who I identify with. And those characters are badass women. But I definitely, wholeheartedly, feel like we need more of these types of female characters, especially in this genre. Unfortunately, the grit-lit, country-noir, whatever-you-want-to-call-it genre, is a bit of a boy’s club, and I think that landscape needs to expand. I could go on for hours on this topic, but to go back to your original question, I...[read on]
Writers Read: Steph Post.
My Book, The Movie: Lightwood.
The Page 69 Test: Lightwood.
--Marshal Zeringue