Bangladeshi American poet Tarfia Faizullah grew up in Midland, Texas. She earned an MFA from the Virginia Commonwealth University program in creative writing. Her first book, Seam (2014), won the Crab Orchard Series in Poetry First Book Award. Focused around a long sequence “Interview with a Birangona,” the book explores the ethics of interviewing as well as the history of the birangona, Bangladeshi women raped by Pakistani soldiers during the Liberation War of 1971. Her second book is Registers of Illuminated Villages (Graywolf Press, 2018).From Faizullah's Q&A with Kathleen Rooney for the Poetry Foundation:
The title of your second book is Registers of Illuminated Villages, and its title poem is "Register of Eliminated Villages," named after 397 villages destroyed during the war in northern Iraq. The wordplay is clever but not funny per se or at least not in any but the darkest way. How did you settle on that set of titles? And how do you determine what emotional registers to use in your poems? What’s the place of somberness, and what's the place of play?--Marshal Zeringue
Not long ago, I was hanging out with my friend and her daughter, a five-year-old at the time, and we were playing with Play-Doh. She had just spent the better part of an hour fashioning the perfect pile of orange spaghetti and neon green meatballs. And then she brought her small, strong fist down like a hammer and smushed the whole thing to smithereens. Her mom asked, “Why do you destroy what you make?” and she answered, “To play.”
I love it so much. I’m really drawn to that kind of, I dunno, exquisite dissonance—like when my sister died and two of her friends played house and set a place for her at the play dinner table. Play is a really neat expression of humans’ ability to cope with whatever comes our way. By the way, the book title actually started out as Eliminated Villages because I thought I was writing to forget, but...[read on]