Steph Post: Besides being a crime writer and a fan of crime fiction, you’re a fan of Grit Lit writers such as David Joy and, I’m flattered to say, myself. The niche market that Joy and I, Brian Panowich and Daniel Woodrell, Tom Franklin and others find ourselves in is sometimes small and so I have to admit that I was a bit surprised to find a reader in Manchester, England, who truly understood and appreciated the genre. How did you come to find yourself as a reader of American Grit Lit and what about the genre do you find so appealing?Visit Robert Parker's website.
Robert Parker: It’s true that I am indeed a “fan from afar” so to speak, and it’s great to have a chat with someone whose work inspires you. While it’s very kind of you to say that I’ve “got” the genre of Grit Lit, I’m not sure, as a British guy living in England, that I can fully appreciate the finer nuances. What I can say for sure is that my enjoyment and connection with the genre is solid, and I’m constantly finding myself burrowing further into it and finding great reads all the time.
For work, I end up reading lots of UK-set thrillers and detective stories, to keep on top of what the contemporary British crime scene is doing. For fun, I read absolutely all sorts of different stuff, right through from horror, noir, crime, suspense, Grit Lit and so on, but nothing has really grabbed me like the authors you mentioned.
Post: Why do you think that is?
Parker: I think what happened was I started reading some...[read on]
--Marshal Zeringue