Q: In his review in Tablet, Alexander Aciman writes, “The sign of a great literary noir is one that cannot decide whether it is about crime or about an existential crisis. This is the story of Paul Goldberg’s novel The Chateau…” What do you think of that description?--Marshal Zeringue
A: It was so on target. That’s exactly where I was going with this. My character is going through an existential crisis, and also the country is going through a political crisis. Every crisis you can imagine is taking place outside in the streets, and this character is trying to deal with this. [It takes place] during the week prior to the inauguration of Donald Trump, and everything is going to be a crisis.
[The main character, Bill,] lost his job. That’s my fear—how can I be [in that situation]? Some people find a next act, but it’s an existential crisis to do that. It’s not a job, it’s a “you.” Here’s a guy who loses his identity. I love my job. I decided to make the character something I’m not, if I were...[read on]
Tuesday, May 8, 2018
Paul Goldberg
Paul Goldberg's new novel is The Château. From his Q&A with Deborah Kalb: