Rebecca Makkai's new novel is The Great Believers.From her Q&A with Caroline Leavitt:
I always want to know what the “why now” moment is for an author in writing a novel. What was haunting you and propelling you to write?Learn more about the author and her work at Rebecca Makkai's website, Facebook page and Twitter perch.
When I started, I really just wanted to write about the Paris art world of the 1920s. It felt romantic and tragic. As I planned, though, that stuff turned into a subplot and the book became about the AIDS epidemic in Chicago in the 1980s. The research I did, especially the interviews I conducted and the photos I found, became my motivation. So much about what I learned made me angry and broke my heart, and those are great reasons to write.
I first came to NYC during the AIDS crisis of the 80s. I remember the silence=death icons all over the sidewalk and the horror of friends dying. What was your research like?
I’m a bit too young to remember the height of the crisis personally, and didn’t want to rely on secondary sources, so I did a lot of primary source reading (gay weeklies on archive from the ‘80s, online personal accounts) and a ton of in-person interviews. I interviewed survivors, doctors, nurses, journalists, historians, activists, lawyers, basically everyone who was willing to talk to me. And then, after I’d written the book, I gave it to three of those people to read—people who I knew would call me on every little thing that felt even slightly off. I was terrified of getting things wrong, both factually and emotionally, and I think that terror was...[read on]
My Book, The Movie: The Borrower.
The Page 69 Test: The Hundred-Year House.
My Book, The Movie: The Hundred-Year House.
--Marshal Zeringue