You write about your sister coming to see you at a gig, and you had someone close the door on her backstage, shutting her out of your life. It was the last time you saw her before she killed herself. Was that difficult to write about?--Marshal Zeringue
I didn’t mean to write about that. I thought: “Oh my, am I really doing this?” I thought it was important to do because anything that makes a story more complex is good to do. What I didn’t say in that story was whenever you talked to Tiffany it took you weeks to get over it, because she’d say something so disturbing or make you so angry, you couldn’t stop thinking about it.
Does it make you think you’re a heartless person?
When I read that out loud on stage, I can’t believe I did it. I can’t believe I’m reading it. It is just as bad as it sounds. That you’re going to have someone close the door on that person’s face, and they’re going to commit suicide and you’ll never see them again... there’s not a way to make that funny. I read someone saying you can’t surprise a reader without surprising yourself, and in your life what surprise is there? But there are things, admissions that you can make, or scratch below the surface and say how you actually felt, and you can be there at your desk and you’re just shocked. So I think that was a situation where the reader can be...[read on]
Sunday, July 8, 2018
David Sedaris
David Sedaris's latest book is Calypso. From his Q&A with Andrew Anthony for the Guardian: