From Wright's Q&A with Matthew Turbeville at Writers Tell All:
MT: What about this novel made you decide to base it around a “pop” or “soda” company? I always am asked by people from other states, other regions, if I call something pop or soda. How do you feel the title, and the industry the novel concerns, has been developed by your writing?Visit Snowden Wright's website.
SW: So funny you should ask this question. Lately I’ve been asked by people, to paraphrase, “How can you name this book American Pop when in the South, where it’s set, nobody calls soda ‘pop.’”
I’ve answered them by explaining that the second word of the title has multiple meanings and subtexts, all of which I intended: soda, popular culture, popularity, explosion, “pop” as in “goes bust.” In other words, American Pop isn’t just about soda. It’s about America and all the myriad ideas wrapped up in the concept of it. It’s about a family and all the myriad elements wrapped up in the concept of one.
That said, the soft-drink industry is, of course, a major part of the novel. It’s the mechanism by which I tried to explore, providing as much entertainment as possible, the ideas of America and the elements of a family. “Why read fiction? Why go to movies?” I quote in the novel from an issue of Beverage Digest, “[The] soft drink industry has enough roller-coaster plot-dips to make novelists drool.”
MT: What books and authors have truly influenced you? What books and authors do you return to time and time again? What book helped you with creating and executing this novel?
SW: Got a couple hours? Because...[read on]
The Page 69 Test: American Pop.
Writers Read: Snowden Wright.
--Marshal Zeringue