Catherine Chung was born in Evanston, IL, and grew up in New York, New Jersey, and Michigan. Writing has been her life-long passion, but as an undergraduate she indulged in a brief, one-sided affair with mathematics at the University of Chicago followed by a few years in Santa Monica working at a think tank by the sea.Eventually she attended Cornell University for her MFA, and since then she and her books have been given shelter and encouragement from The MacDowell Colony, Jentel, Hedgebrook, SFAI, Camargo, The University of Leipzig, VCCA, UCross, Yaddo, Civitella Ranieri, The Jerome Foundation, the Ludwig Vogelstein Foundation, and the Constance Saltonstall Foundation. Her brother, Heesoo Chung, has also given her a bed and fed her lots of ice cream at criticał times.
Chung is the recipient of a National Endowment for the Arts fellowship and a Director’s Visitorship at the Institute for Advanced Study in Princeton. She was a Granta New Voice, and won an Honorable Mention for the PEN/Hemingway Award with her first novel, Forgotten Country, which was a Booklist, Bookpage, and San Francisco Chronicle Best Book of 2012. She has published work in The New York Times, The Rumpus, and Granta, and is a fiction editor at Guernica Magazine. She lives in New York City.
Chung's new novel is The Tenth Muse.
From her Q&A with Steph Cha for Guernica:
Guernica: The Tenth Muse is a book framed by both storytelling and math. Math problems become parables; the story of a theorem becomes the story of several lives. I’m interested in how you use these two methods of describing the world, and how you see them playing off of and interacting with each other.Visit Catherine Chung's website.
Catherine Chung: The physicist Freeman Dyson once famously (among mathematicians at least) compared mathematicians to birds and frogs. He said the mathematicians who are birds survey everything from up above, and delight in mapping far vistas and getting a sense of the big picture, whereas frogs live in the mud and see the objects around them in all their tiny, complex details, and that is their understanding of the world. I’ve always thought that’s a good description of writers as well, and that the metaphor can probably extend to any field of study or kind of person. We’re all trying to understand the world from our different perspectives, from where we stand and how we look at the world—whether it’s grand and sweeping, or intimate, detailed, and granular. It’s good to remember that our individual ways of seeing the world are never the whole picture, and that, taken together, they give us a richer, more comprehensive sense of not even what the world is, but how we might apprehend it.
So I just wanted to give some sense of that in this book, to play with how the vast and the intricate are always at play in any moment. To view a life in terms of the sweep of history that encompasses it, but also at the personal level. And the ways different points of view—the mathematical and the scientific, but also the...[read on]
Writers Read: Catherine Chung.
My Book, The Movie: The Tenth Muse.
--Marshal Zeringue