Last year Isaac Chotiner of The New Republic spoke with Ian McEwan "about letting go, growing up, and why atheists need to speak out."
The Q & A opens:
Was it hard to watch Atonement be adapted to film by other people? Did you feel possessive?Read the complete interview.
I'm fairly used to the process. I think this is the fifth or sixth of my stories or novels that have been made into films. I'm sure I'd be possessive if I allowed myself to get involved in the writing of the script. There's a lot to be said for not doing that. I did it once with The Innocent and John Schlesinger, and it was a fairly difficult process because everyone--the director, the designers, actors, everyone--had their own ideas and came piling in. And you are suddenly knocked off your perch as the God in this machine. It is better to have someone take a free run at it. But I can't quite walk away, so I like to stay involved. I like film sets, and I enjoy the collaborative process. I'm not sure if I had the worst of both worlds or the best.
One of the great things about the book is the way you get inside the head of Briony Tallis, a 13-year-old girl. Were you worried that film is a medium in which it is harder to get inside a character's head?
Well, it is impossible for a movie to give you what a novel can give you, which is the flavor of rolling thoughts and consciousness. But you have to do the best with what you've got, which with movies is a high dependence on actors to somehow let us feel the illusion that we can follow a thought process. And I think the casting of Briony with Saoirse Ronan was really astute. She is a very watchful girl, a completely intuitive young actress.
Atonement made John Mullan's lists of ten of the best identical twins in fiction and the ten best weddings in literature.