J. Courtney Sullivan
From a conversation with J. Courtney Sullivan, author of Maine:
Q: Why Maine (as in, the state)?Learn more about the book and author at J. Courtney Sullivan's website.
A: I grew up outside of Boston, about a ninety-minute drive from southern Maine. We went to the Ogunquit/Wells/York area all the time, whether it was to rent a little cottage on the beach for a week or just to have a lobster dinner at Barnacle Billy’s. I love that part of New England so much. It’s physically beautiful and has such a rich history. I’ve always been intrigued by the artists’ colony that popped up in Perkins Cove in the late 19th century. The juxtaposition of urban painters and Maine lobstermen living side by side seemed like it was just begging to be put in a novel.
Also, the Kellehers are a family in which everyone talks about everyone else behind their backs; each has an opinion on the shortcomings of the others. The funny thing is, they’re all right. I like the idea of family bonds having elasticity to them, so that even when they’re stretched to the breaking point, they rarely just go ahead and break. A secluded family beach house seemed like the perfect setting for all of this to percolate.
Q: Maine is told from the point of view of four women in the Kelleher family. Alice, the matriarch, Maggie, Alice’s granddaughter, Kathleen, the prodigal daughter, and Ann Marie, Alice’s daughter in law. How and why did you choose to focus on these four women out of all the characters in the novel?
A: I wanted to explore how certain things—like alcoholism, religion, resentments, and secrets—move from one generation to the next. We hear women say all the time, “Please God, don’t let me turn into my mother.” In most cases, we either become a lot like our mothers or we work like hell to do the exact opposite of what they did, which creates all new problems. The mother-daughter dynamic is powerful and often fraught, so I wanted to really dig into that. With Kathleen and Alice, we have a mother-daughter pair who can never seem to see eye-to-eye. Kathleen tries to cultivate a much more casual relationship with her own daughter, more of a friendship. In turn, her daughter Maggie longs for boundaries.
In early drafts, there were...[read on]
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