Greil Marcus's new book is The Doors: A Lifetime of Listening to Five Mean Years.
From his Q & A with Jeff Makos at Publishers Weekly:
Your full-length appreciation of the Doors flies in the face of many of your fellow music critics, who have not been kind to the band since lead singer Jim Morrison died in 1971.--Marshal Zeringue
Well, it’s an interpretation, not a reinterpretation—it’s the first real thinking by me about their music. I had always remembered Jim Morrison saying that the Doors first album was “only a map of our music.” That was an extraordinarily eloquent thing to say about any album. As I began listening again to their reissued CDs with alternate takes and studio conversations, as well as countless bootleg concert recordings, I thought more about that “map,” and the book made itself—the project chose the book.
Unlike most books about Jim Morrison and the Doors, you don’t focus on anything biographical about the band.
I never had the idea of using anything except their music, which really told their true story. The Doors had a seriousness of intent during the 1960s. You could not be a thinking person during that time and not be overwhelmed with dread, with fear, with terror. And to be at a Doors concert was to be in the presence of a group of people who accepted the present moment at face value. The best of their music, especially live, confronted that moment. Morrison himself said that a Doors concert “is...[read on]