Elmore Leonard's latest novel is Raylan.
From the author's Q & A with Allen Barra at The Daily Beast:
Most critics call you things like “the dean of American crime writers.” But I’m wondering if you consider that pigeonholing. Do you mind being called a crime writer?See--Elmore Leonard's ten favorite books.
“Crime writer” is fine. There’s always a crime in my books.
It’s been written that you are a descendant of—I’ll just pick two names that have been tossed around—Dashiell Hammett and Raymond Chandler. Would you agree?
No, not at all. I never thought my books were like theirs, or that I wrote anything like them except to the degree that we all did interesting things with dialogue. If I had to pick anyone from that period who I resembled, it’s probably James M. Cain, whose style was leaner—more terse—than other writers of that period.
The truth is that the writers who most influenced me weren’t people categorized as crime writers. I’d say I learned more from John O’Hara, who isn’t much read today but whose short stories I really admired, and Hemingway, who I think has lasted pretty good.
Speaking of Hemingway, I remember years ago I compared your rules of writing with Hemingway’s. He said, “Always get the weather right.” You told me that your first rule was “Don’t open a book with the weather.”