MJ: In geek culture, everyone is talking about how badly women are portrayed, but your books have always had strong female characters.--Marshal Zeringue
WG: I usually wind up with a male lead and a female lead, but not necessarily in the Hollywood style. They'll interact; it may not be romantically. I think what happened, in the '70s I was sort of looking for a viable art form. I looked at science fiction, and I was really disappointed with most of it compared to the science fiction that had wowed me as a kid in the '60s. It felt kind of like Nashville country, like I had grown up on Texas swing and now I'm getting this awful synthetic.
But the one area that worked for me was the feminist science fiction of the '70s: Ursula Le Guin, Joanna Russ, Alice Sheldon, who wrote as James Tiptree. Everyone should read Octavia Butler—you get not only great feminist science fiction, but great black American science fiction. They're all very strong voices, and kind of unlikely voices, considering the extent to which science fiction had traditionally been a very male modality. Mary Shelley may well have invented science fiction. I think she did! [Laughs.] But after that it seemed to be a boys' game, and boys were assumed to be the demographic.
MJ: Sci-fi movie fans swear that without Neuromancer, there would have been no Matrix, no Tron, no Ghost in the Shell. Why haven't we ever seen a Neuromancer movie?
WG: Well, I'm...[read on]