Miranda Beverly-Whittemore's new novel is June.
From her Q & A with Caroline Leavitt:
I love the whole idea of old Hollywood glamour and I bet the research was a hoot. How did you research this? What surprised you about the research (or better yet, disturbed you?)Visit Miranda Beverly-Whittemore's website.
I’ve long been obsessed with celebrity. Maybe as a little girl I wanted to be rich and famous (one of my first memories is oohhhing and ahhhing over Princess Diana’s wedding on a newsreel, projected on a bed sheet in the backyard of the British Embassy in Dakar, Senegal), but I quickly realized how unpleasant so many aspects of that life are, and the whole idea of being watched all the time still terrifies me.
Then, after my first novel came out, I was a co-producer on a short adaptation of that book to film, and had my first experience on a real Hollywood set. It was enchanting to watch the well-oiled machine that filmmaking is (especially as a writer who spends most of my time as a maker completely by myself) —everyone has their specific job, and when all those jobs are fitted together, the whole thing works. I realized I wanted to write not just about celebrity, but about a film set, and I thought there was no better witness to such a place than a child who gets to be a part of it.
In June, there are two generations of celebrities—in the modern day, two sisters, one an A-lister a la Jennifer Aniston, and the other a character based on Carrie Fisher; at the beginning of the book, you discover they’re the daughters of the movie star who is the celebrity in the book’s 1955, a matinee idol named Jack Montgomery. Having a family of movie stars across sixty years gave me the opportunity...[read on]