From her Q & A with Noah Charney for The Daily Beast:
Do you have a writer friend who helps and inspires you?Learn about the "deceased author [Smith would] most like to watch crossing a room, just to see how she moves."
I'm blessed in my good friends, and some of them happen to be writers, though that's almost never what our friendships are about. And every writer I've ever read, living or dead, has in one way or another helped and inspired. I have a feeling it’s important not to mix the two up.
What is a place that inspires you?
Anywhere in the sun, anywhere under the old blue sky. And, more specifically recently, the church of San Clemente in Rome, where Masolino's magnificent fresco of St. Catherine is just the upper layer of a building that goes down for centuries, an experience of time and stratification which echoes everywhere in Rome, and was, I thought, a bit like standing in a place straddling the conscious and the subconscious.
Describe your routine when conceiving of a book and its plot, before the writing begins. Do you like to map out your books ahead of time, or just let it flow?
It's really a time where articulation and articulacy come under a particular pressure, I mean a pressure very particular to whatever the book that's waiting to be written is. It's a process of allowing yourself not to know, and to lose or shed your customary articulacy, then allowing yourself to see (hear, sense, all the senses) by different means. It's the opposite of public. After that, it's a case of instinct and...[read on]
--Marshal Zeringue