From her Q & A with Mandy Van Deven at In The Fray:
Your novel is set in New Orleans, a place known for its stark contrast between the lives of blacks and whites, rich and poor. What do you find compelling about placing a struggling Latina journalist in this post-Katrina backdrop?Visit Joy Castro’s website and Twitter perch.
There are a couple of reasons. First, like many people, I love the city of New Orleans. My husband grew up on the north shore of Lake Pontchartrain, and he lived, went to college, and worked in the city as a young adult. When we met in graduate school, he took me home to meet his family, and I fell in love with the city as I was falling in love with him. I’ve been going there regularly for twenty years now, and my affection and respect for New Orleans made me want to set a novel there.
You’re right about the black-white construction of race and ethnicity in New Orleans. While there has famously and historically been a great deal of mixing, it has usually been defined along a black-white continuum, though the influx of Latino construction workers and their families has shifted the demographic somewhat since Katrina. I was interested in exploring how a character lives her Latinidad in an environment where there’d been almost no Latino community.
You have personal experience with that as well.
Being a Latina without an ethnic community was my own experience growing up. Though I was born in Miami, we...[read on]
The Page 69 Test: Hell or High Water.
Writers Read: Joy Castro.
--Marshal Zeringue