David Mitchell

David Mitchell's new novel is The Thousand Autumns of Jacob de Zoet.

From his Q & A with Mark Martin at the Barnes & Noble Review:

Mark Martin: The Thousand Autumns of Jacob de Zoet is set primarily on the tiny man-made island of Dejima in the bay of Nagasaki in the era of the Napoleonic Wars. What drew you to this particular time and place?

David Mitchell: It was a keyhole in the door in the wall that encircled Japan for 250 years. It was the only meeting point for Japan and Europe. And it reversed the usual colonial situation where the Europeans arrive and make the rules. The ten to fifteen Europeans who lived there were effectively prisoners or hostages. They weren't allowed to leave. The only people they could meet were merchants and translators and very, very expensive prostitutes. If I couldn't find a halfway decent novel swimming around in all of that, then I wouldn't be much of a writer.

MM: You do have an interest in isolated societies. Whether it's a Japanese doomsday cult or a seniors' home run like Colditz, examples appear throughout your books, and Dejima adds one more to the list. Could you explain what fascinates you about these claustrophobic little worlds?

DM: I think, dramatically, enclosure is quite good news. If there's no exit door, then when the going gets tough, people can't conveniently leave. If characters are stuck in a place, whatever human neuroses they are host to can fructify. Those neuroses are free to bear fruit and follow their arcs to a conclusion.

MM: Were there any particular literary models or inspirations you had in mind when writing this book?

DM: Models...[read on]

--Marshal Zeringue