Kazuo Ishiguro
Kazuo Ishiguro's new novel is The Buried Giant.
From his Q & A with Elysha Chang for Electric Lit:
Chang: What was behind the decision in setting The Buried Giant in a mythical, medieval England? Did you know this would surprise people the way it has?--Marshal Zeringue
Ishiguro: Often the setting comes quite late in the process. I usually have the whole story, the whole idea, and then I hunt for the location, for a place where I can set it down.
So I’m a little bit naïve, maybe, about what the finished thing will look like in terms of genre. It’s sort of like I’ve wandered into people’s countries without knowing where I’ve landed. And after I’ve been there for quite some time, someone says ‘you realize you’re in Poland now.’ And I say, ‘Oh really? I just followed this trail of stuff I needed.’
I didn’t wonder how people would define or categorize The Buried Giant until it was done. And then as publication approached, I started to see it from the outside. I’d been so absorbed with trying to get the thing to work from the inside.
I did think about setting it in a very real contemporary, tense situation. I considered Bosnia in the 1990s as a setting, and well, I thought about Rwanda but didn’t consider it for too long, because I feel unqualified to write about Africa. I know so little about African politics, African culture. The disintegration of Yugoslavia I felt closer to, because I live in Europe. These massacres were occurring right on our doorstep. I wanted to look at a situation in which a generation (or two) has been living uneasily in peace, where different ethnic groups have been coexisting peaceably and then something happens that reawakens a tribal or societal memory.
Chang: What made you ultimately decide on this more distant reality?
Ishiguro: Well, if I had done that you’d be asking me why I was suddenly interested in Yugoslavia, and if I have relatives that used to go there, and what do I think about what Milosevic did or said on this or that day. It becomes a completely different kind of book. Some people write those kinds of books brilliantly. It’s almost like reportage. They’re very powerful and very urgent books.
Maybe in the future I’ll feel compelled to write that kind of specific and current book, but right now I feel that my strength as a fiction writer is...[read on]
