book, Hiponia heeded Toni Morrison and wrote the book she wanted to read with her daughters. We Belong is that book, a semi-autobiographical middle grade novel-in-verse about the Pilipina/o/x American immigrant experience that weaves in Tagalog cosmic mythology. It’s in bookstores under Hiponia’s other name “Cookie Hiponia Everman.” Hiponia lives in Seattle with her family.
My Q&A with the author:
How much work does your title do to take readers into the story?Visit Cookie Hiponia's website.
I chose the title We Belong because it conveys the main theme of my book. You instantly know what it's about by the title alone.
What's in a name?
I chose the names Stella and Luna for the daughters' names in We Belong because they're the equivalents of my own daughters' names, Tala and Diana. Stella in Spanish is Tala in Tagalog is Star in English. Luna in Spanish is Buan in Tagalog is Moon in English is Diana the Roman Moon Goddess.
How surprised would your teenage reader self be by your new novel?
My teenaged self would never have thought she could write about abuse and trauma in a compassionate way. Maybe that's because my teenaged self was still in the midst of the trauma.
Do you find it harder to write beginnings or endings? Which do you change more?
Neither? Both? I don't write linearly; I don't know if something I write will be the beginning or the ending until it's all done.
Do you see much of yourself in your characters? Do they have any connection to your personality, or are they a world apart?
In much the same way that all the animal characters in A.A. Milne's Winnie the Pooh books was an extension of Christopher Robin, the boy protagonist, all my characters are extensions of me. I often write my stories as "medicine," in the tradition of North American Indigenous and First Nations peoples. Each character is an aspect of me, grappling with and healing whatever that character is going through.
What non-literary inspirations have influenced your writing?
Music is the biggest inspiration for my writing. When I draft a novel, I also start drafting an Original Soundtrack Spotify playlist. I tack up a bunch of post-it notes that I've collated of the ideas for a novel, and then put my entire Spotify discography on shuffle. When a song strikes me as having the exact emotional tone I'm trying to hit with a chapter or scene in the book, I add that to the OST. As I get more ideas for emotional beats from songs, I add them to the OST playlist. When I start drafting in earnest, I play the OST playlist and write, rearranging the songs as the story develops. It's organized chaos, but it works.
--Marshal Zeringue