Friday, August 5, 2011

Khaled Hosseini

Khaled Hosseini is the author of The Kite Runner and A Thousand Splendid Suns.

From a Q & A at his publisher's website:

The Kite Runner helped alter the world’s perception of Afghanistan, by giving millions of readers their first real sense of what the Afghan people and their daily lives are actually like. [A Thousand Splendid Suns] includes the main events in Afghanistan’s history over the past three decades, from the communist revolution to the Soviet invasion to the U.S.-led war against the Taliban. Do you feel a special responsibility to inform the world about your native country, especially given the current situation there and the prominent platform you’ve gained?

For me as a writer, the story has always taken precedence over everything else. I have never sat down to write with broad, sweeping ideas in mind, and certainly never with a specific agenda. It is quite a burden for a writer to feel a responsibility to represent his or her own culture and to educate others about it. For me it always starts from a very personal, intimate place, about human connections, and then expands from there. What intrigued me about this new book were the hopes and dreams and disillusions of these two women, their inner lives, the specific circumstances that bring them together, their resolve to survive, and the fact that their relationship evolves into something meaningful and powerful, even as the world around them unravels and slips into chaos. But as I wrote, I witnessed the story expanding, becoming more ambitious page after page. I realized that telling the story of these two women without telling, in part, the story of Afghanistan from the 1970s to the post-9/11 era simply was not possible. The intimate and personal was intertwined inextricably with the broad and historical. And so the turmoil in Afghanistan and the country’s tortured recent past slowly became more than mere backdrop. Gradually, Afghanistan itself—and more specifically, Kabul—became a character in this novel, to a much larger extent, I think, than in The Kite Runner. But it was simply for the sake of storytelling, not out of a sense of social responsibility to inform readers about my native country. That said, I will be gratified if they walk away from A Thousand Splendid Suns with...[read on]
--Marshal Zeringue