Michael Harvey's new novel is The Third Rail.
From his Q & A with Julia Buckley:
Your narrator tells his story in first person, but we get a bad guy’s perspective in third person. Why did you choose a double point of view?
Good question. My first two books, The Chicago Way and The Fifth Floor, were both written in the first person, from Michael Kelly’s point of view. I enjoy writing in Kelly’s voice and wanted to keep him in the first person. My plot for The Third Rail, however, called for multiple crime scenes that unfold almost simultaneously across the city. In order to maintain and feed the dynamics of that story line, I felt it was critical to get into the killer’s head at certain points and allow him to drive the action forward. So I kept Kelly in the first person, and used the third person for my killer.
This decision is not without risk. But I figure nothing ventured, nothing gained. I will be interested in readers’ reaction to the switching. Did it bother them? Did they like it? Did they even notice? We’ll see.
Read
the complete interview.
Visit
Michael Harvey's website.
--Marshal Zeringue
